November 11th is a day of significance for many. First off it being Remembrance day – a day in honour of the soldiers who fought and perished in the many wars past and present. On a lighter note, it is also international Pocky day (or also known as Peppero day) which happens to also be my favourite snack of all time. But little did I know that it is also Origami day, which brings me to reflect upon one of my shoots from earlier this year. Although it isn’t truly origami, it still involved some meticulous paper craft and design. I was asked by art director, Erik Mohr, to illustrate a story for Globe and Mail’s quarterly publication, InBusiness magazine. Innovation was the theme of this issue, featuring Canadian companies that are the frontrunners in their respective fields.
This meant that I also had to be innovative in my approach to illustrate five very different companies and create a series that would tie them all together. Erik had mentioned the idea of exploring paper illustrations. So, it only seemed fitting for me to call Kyosuke Nishida and Dominic Liu of Studio Toki. I’ve collaborated with Studio Toki before on other paper based projects, so I knew they would be the perfect fit for this one. With their design savvy and eye for detail, we were able to come up with a series of original, 3D paper illustrations.
It took a lot of brainstorming, sketches, construction, problem solving and a bit of MacGyver to make it all happen. Although the process was sometimes painstaking and challenging, seeing our ideas transform into a tangible form was really rewarding. Not to mention, we were left with awesome and cute little paper sculptures afterwards!
Here is a glimpse into our pre-shoot process with some sketches from Studio Toki:
Here are the final paper illustrations representing Canadian companies with innovative business approaches:
Pebble Smart Watch:
Silicon Sisters Interactive:
Freed & Freed International :
A.F. Theriault & Son:
And finally the opening image – a structure a bit inspired by M.C. Escher’s surreal drawings:
Many thanks to Erik Mohr for the unique assignment and also to Kyosuke and Dominic for helping to bring this idea to life!
Client: inBusiness Magazine
Art Director: Erik Mohr
Paper design and construction: Studio Toki - Dominic Liu and Kyosuke Nishida
Photography interns: Christa Guia & Kate Ince
A look behind the scenes:
Campbell’s just launched their Movember Chunky campaign, which was shot by our very own Mr. Barnes! It looks a little something like this:
Agency: Real Interactive
Art Director: Kelly Small
Photographer: Matt Barnes
Producer: Tara O’Malley
Assistant: Gabe Nivera, Lori Waltenburi
Hair & Makeup: Sandra Yang
Food Stylist: LeeAnne Wright
Check’em out on Campbell’s Movember page!
It’s a rarity for a band to stick it out for over 2 years these days. How about 2 decades, with it’s original members no less? It’s also a rarity to hear of bands composed of 4 song writers, all given equal share of the creative pie. This kind of democracy lends itself to a very fitting 11th studio album title for the Halifax born Sloan: Commonwealth. The honour of photographing the album artwork for this record, was given to our very own Vicky Lam.
I was really excited when I heard I would be photographing Sloan’s LP cover art. I have never had any work appear on a record before, and the idea of doing so for a great Canadian group like Sloan really made me feel happy. As a still life shooter, I’m so used to working alone in a dark studio, so I was really excited to know that Chris Murphy and Jay Ferguson from Sloan would be there in person. Perhaps I was even a little starstruck by the idea. However, when the shoot day came by and I met Chris and Jay, they turned out to be the nicest and most laid back guys ever! I was even more impressed when I learned that they usually have a hand in designing all of their album art. This one was not an exception. It was neat to learn that each item was carefully hand picked by the band members themselves and all have personal significance and history. It’s a great feeling to know that the guys from Sloan take so much care not only in their music, but all the smaller details too. And it’s probably the reason why they’ve held such a successful and ongoing musical career for the last 20+ years.
If you look closely, you’ll notice all the items tie in to the song titles. Can you spot them?
Jay Ferguson, putting the finishing touches on his carefully thought out composition.
You can read what other people think about Commonwealth, (Noisy, Pitchfork, COS,) but might I suggest you pick yourself up a copy on iTunes/Amazon, or give it a streamy listen for yourself!
Here’s a little trip down Sloan discography lane…
strong and barely controllable emotion.
“a man of impetuous passion”
a state or outburst of strong emotion.
“oratory in which he gradually works himself up into a passion”
||(blind) rage, fit of anger/temper, temper, towering rage, tantrum, fury,frenzy
“he worked himself up into a passion”
finding the right Scion for you
Middle English: from Old French, from late Latin passio(n-) (chiefly a term in Christian theology), from Latin pati ‘suffer.’
Use over time for: passion
From the desk of Tyler Gray:
One of the coolest things about working in adverting is that the surprises are never ending. I mentioned it in one of my last posts that hearing my email ding and opening a PDF full of layouts is like Christmas morning over and over again. Vic Bath at DentsuBos now has the unique distinction of sending me my first layout where a guy had an octopus stuck to the side of his face. Yep, an octopus. John and I were out in Los Angeles shooting when this came through and had some pretty good laughs with Vic about how we were going to pull this shot off. We looked at prop options in Hollywood and were both amazed at how detailed and believable some of the options were. We hummed and hawed over getting a live one and just throwing it at our talents’ face when he wasn’t looking, we discussed a dead one and we even discussed CGI. In the end, we decided to go with the live option. We named him Billy and he now lives and works with Lindsey at front reception. He’s really good at answering phones and typing. (Editors note: Lindsey also really appreciates Billy’s suckers as an alternative to licking the postage stamps.)
Big thanks to Vic and Ryan at DentsuBos for the opportunity to work on this. Oh and an even bigger thanks to our client Mary at Scion for introducing the movie frozen to my Kids that day. **Twitch**
Peep some pixels:
All Images © Tyler Gray
Photographer: Tyler Gray
AD: Vic Bath
CW: Ryan Grosman
Assistants: Bryan Ulrich, Christa Michelle, Olga Kozitska
All BTS Images © Alex Beetham & John Stevancec
We’ve all heard the panicked recordings. The breathless cries for rescue in life’s most desperate moments, such as when you’re stuck on a tricky homework problem, or when Burger King doesn’t get your order quite right. As entertaining as this sample of the human condition are, calling emergency 911 lines for non-emergency matters is a growing issue. From Cossette:
Approximately 25% of calls to 911 are non-emergency police matters. These calls tie up emergency lines, taking resources away from where they’re needed most. This public education campaign addresses this issue with a simple but powerful juxtaposition between a non-emergency situation and a real one.
Clean executions of clear narratives resonate with audiences, leaving lasting impressions. Anthony and team delivered just this for E-Comm 9-1-1, and paired with a print ad makes for an impactful campaign.
Client: E-Comm 9-1-1
Advertising Agency: Cossette, Vancouver
Creative Director: Michael Milardo
Associate Creative Director: Lisa Lebedovich
Art Director: Lisa Lebedovich
Copywriter: Pierre Chan
Agency Broadcast Producer: Philippa Groom
Production House: Redpath Studios
Production House Producer: Anthony Redpath
Dolly Grip: Darin Wong
Gaffer: James Walker
All Images & Video © Anthony Redpath
The upcoming September long weekend is a significant one. It’s the one you dread growing up, knowing that it’s festivities are overshadowed by the end of summer vacation and the beginning of a new school year. Tyler has been out of school for *cough* just a few *cough* years now, but has had the opportunity since 2011 to annually acquaint himself with the campus of Western University. Tyler has been producing some gorgeous images for Western over the years, and this is no exception! Words from Tyler:
…This has been my third year shooting with creative director Terry Rice and designer Scott Woods from the Marketing Dept at Western U. The early April email full of layouts from Scott has has become a beacon for spring and by the 3rd week of April i’m ripe for my first sunburn of the year. – Tyler
Photographer: Tyler Gray
Client: Western University Alumni Association
Creative Director: Terry Rice
Designer: Scott Woods
Project Coordinator: Diana Cunningham
All Images © Tyler Gray
Want to find out whats going on in that last BTS image?? Head on over to Tyler’s Tumblr and he’ll tell you all about it!
Todays post brought to you from the desk of Vicky Lam. Take it away!
The summer months of July and August are high season for weddings. As I’ve already spent a couple weekends this summer as a wedding guest, I started to reminisce about a shoot I did for AstraZeneca pharmaceuticals earlier this year. Dare I say, this is by far the cutest photo shoot I’ve done to date. I was really excited when John St. contacted me to partake in this fun idea. I loved the concept and the idea of making an unexpected pharmaceutical ad. This is the kind of wedding photography that is up my alley!
So what is “Vimovo” you might ask? Vimovo is the latest osteoarthritis drug that offers pain relief and also protection from stomach ulcers. To illustrate the union of these two elements, we were in search of some unique cake toppers.
After seeing their layout I knew this wasn’t something I could easily find, and knew that only model maker, Franc Madden would be perfect for this job. I get so excited when models are made for photo shoots and love seeing the process of a vision coming to life. Here are some in-progress shots of our little couple as they were carefully hand crafted for our special shoot day.
Getting cake toppers made was the first step, but it soon started to feel like we really were planning a wedding party. We tracked down some drapery and an oversized cake, and we were set to go!
And after some finishing touches on set, the two were styled and camera-ready for this:
Here’s a closer look at the happy couple:
Many thanks to the great folks at John St for having me work on such a fun and sweet concept! And many thanks to the talented Franc Madden for all of his meticulous work on bringing our characters to life.
Client: AstraZeneca, Vimovo
Agency: John St.
Associate Creative Director: Stephanie Ferrari
Agency Producer: Alisa Pellizzari
Model Maker: Franc Madden
Photography Producer: Phaedra Kennedy
Photography Assistant: Rebecca Leach
Studio Intern: Dan Berger
Let’s end this week off with a sweet portrait of the two and a glimpse of their first dance:
All Images © Vicky Lam
Knee pads and mortar were strewn about the studio a few weeks back by a talented team who transformed two of our studios into seas of ceramic. Nikki Ormerod got the call to help bring Union’s campaign for Stone Tile to life. Nikki will tell you all about it:
Shooting for Stone Tile was nothing less than a complete pleasure. The team over at Union are so great, and we really had a blast. It was a job with many moving pieces. We built the sets in our very own Westside studio together with the awesome crew from Stone Tile. It took a week to get them completed and they looked awesome!
Casting for this job was no walk in the park, however. We had to meet with and photograph countless of the city’s hottest men. I knew that even though this part of the job was agony , it would all pay off in the end.
It was a difficult task to choose only three men from all the amazing talent we saw that day. In the end we landed three of the best to bring our scenes to life.
Feast your eyes.
Client: Stone Tile
Creative Director: Lance Martin
Art Director: Lorraine Sit
Writer: Marisa Faustino
Photographer: Nikki Ormerod
Assistants: Bryan Ulrich, Jon Wayne Brown
Producer: Phaedra Kennedy
Wardrobe styling: Marie Eve Tremblay
Hair/Makeup: Cait Mizzi
Models: Steve B (Elmer Olsen), Maciel (Sutherland), Eric (B&M)
All Images © Nikki Ormerod
June was a month of relentless travel for George Simhoni. One of his numerous flights landed him in beautiful British Columbia to team up with DDB for some gorgeous work to promote the new 2015 Subaru Outback. A few words from George himself:
It was a great opportunity to work on the 2015 Subaru Outback campaign with Rebecca and Dom. BC during the summer is a real treat. We usually go there for shoots in the winter and we are dodging rain most of the time. I love bringing people into the mix of car photography because it really kicks up the image and makes them more memorable. I had a wonderful team to help bring these images to fruition, from our photography and digital team, agency team and client. All great to work with. – George
All Images © George Simhoni
Photographer: George Simhoni
Associate Creative Director: Rob Sturch
Art Director: Rebecca May
Copywriter: Dom Raso
Producer: John Stevancec
Assistants: Sean Best, Mark Cohene, Richard Amies, Mike Phang
Producer John Stevancec was kind enough to provide a glimpse behind the scenes:
All BTS Images © John Stevancec
One of the most endearing parts of summer has to be a trip to the amusement park. What with the games, the food the rides and the nausea. No one loves a good midway more than Anthony Redpath. The proof can be seen right here in his most recent print campaign for Playland, featuring The Playland Hot Seat. The experience took ”losing control” to a whole other level.
Some background on Playland and the hotseat:
Vancouver’s premier amusement park, Playland, hosts an event where winners get free tickets to Playland, with a catch: the entire experience is out of their control. Everything from the rides they go on to the number of mini- donuts they eat is determined by an online audience, voting in real time.
Here’s what AD extraordinaire Dominic Prevost had to say about the whole thing,
Anthony’s extreme attention to detail and practical thinking was exactly what we needed to bring slick and stylized world of the Playland Hot Seat to life. Anthony immediately understood the concept and was keen to collaborate with us to find unexpected ways to take the execution up a notch — going as far as literally hanging our talent on ropes to have them dangle like “real” puppets! - Dominic Prevost, AD
And the finished product…….
Creative Director: Ian Grais, Chris Staples
Art Director: Dominic Prevost, Hannes Ottahal
Copywriter: Danielle Haythorne, Jordan Cohen
Photographer: Anthony Redpath
Studio Artist: Jonathon Cesar
Producer: Scott Russell
Check out some other BTS from the day,